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Poems from in between

Poems from in between

by Jenifer Cartland


  • February 4, 2015

    First snow

    A tiny, frozen splash
    alights under my left
    eye. What is falling
    at 6:05 a.m., here,
    in the dark? Black sky
    speckled with street
    lights and white clumps,
    fumbling onto my face
    and jacket. I heave in
    to feel the cold rush
    enter my nostrils, then
    throat and chest. It
    cleanses with a shiver.
    I hold onto it.

    ———————————
    In response to the dVerse prompt from Marina Sofia to write about being ‘snowed in, iced out or in some other perilous winter situation’ — think I’ve had enough of the snowed in and peril over the last week, so I went small scale.

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  • January 31, 2015

    Trying to make out the words carved into an old garden wall dug up in my backyard

    The river no longer
    passes here regardless
    how I ask, I am left
    to find my journey
    in this dark soil.

    Or

    The river no longer
    passes here regardless
    how I pray for it
    to return — I ache
    for its filthy banks.

    Or

    The river did not
    announce it would
    no longer pass here —
    would I have prepared
    if it had warned me?

    Or

    The sunset glances
    at the river, now long
    gone, reflecting off
    pools on its dried bed
    and me without water.

    Or

    The river carries off
    much more than
    water and mud,
    casual, persistent,
    careless, knowing.

    ——————
    With gratitude again to Leonard Durso for posting a poem by Su Tung-p’o with a title that sparked my imagination (the poem is excellent, too). Unfortunately, instead of a fantastic view or a significant building, I could not get out of my tiny backyard in Chicago. Maybe I will try again.

    What would you want to find painted in the wall of a building? And what building would it be?

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  • January 22, 2015

    The dying thoughts of a poet from Gorham’s Cave

    I do not know what I should expect
    you to come to know as you unwrap my bones
    and the tissues of my belongings.
    I carved this mark for you, no one else,
    hoping it would make me known to you.
    But when young Dawn with her rose-red fingers
    shines once more, it will be up to you.

    I asked my son to hold to the stars
    on his journey so that we both, gazing upon them,
    would be united, barely believing it myself.
    Now the stars have become my home,
    for they are the only place I can find him.
    Hence, when young Dawn with her rose-red fingers
    shines once more, will you hold to Starlight?

    Though I risk heresy to admit it, I am persuaded
    to wonder if this goddess will overcome all
    her imperfections and survive to create you,
    and if her beauty will draw you near if she has;
    I have worried and fretted endless days over this.
    So as young Dawn with her rose-red fingers
    shines once more, I simply pray you will exist

    and come to find me. I pray that when you
    unwrap me, touch my fingers stenciled on these walls,
    pool my dyed shells in your palm, as I often have,
    breathe in the cave air that I have labored under,
    glance up to the stars lighting an empty sky,
    you will know me, deeply, truly, and in that knowing,
    give life to this life, make perpetual what I cannot.

    ———————————————————-
    ’When young Dawn with her rose-red fingers shone once more’ is from Homer’s Odyssey (Fagles’ excellent translation) where it is used to launch many of Odysseus’s adventures.

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  • January 19, 2015

    On reading “Hearing a Flute on a Spring Night in Luoyang by Li Bai (Li Po)”

    Thinking of my old home and garden, I break
    into a hundred thousand shards of mirror, not quite
    identifiable, but not yet lost. They lay there
    blinking partial, shifting images as the moon
    paces above in its forgetting path. Shall I piece
    them together? Is it time? Is it possible?

    I am sunk. If I were to tell you of the swelling lake,
    the tiny, unkept flowerbed, swaying, burdened trees,
    you could only wonder if I was mad and perhaps lost
    again on another street corner or in a conversation
    with someone else you do not know…

    …there was a willow that hung in the yard. We
    climbed it like a pirate ship, and cut from it it’s
    longer whips and spears, there raced our fleets,
    commanded our steeds, fought for advantage toward
    the highest branch, fell to the ground to die,
    to be imprisoned, to transmute into other creatures.

    ———————————————————

    This poem takes its first line from a poem posted by Leonard Durso which has been haunting me for a couple of weeks now (‘Hearing a Flute on a Spring Night in Luoyang’ by Li Po).  If you haven’t already, please stop by Leonard’s site to read is wonderful work.  Thanks for the inspiration, Leonard!

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  • January 6, 2015

    Jackson Heights, 1982

    i

    It is time to write to you, I realize
    looking up from a book as my husband
    tells me we are running late.
    But you are long gone, familiarly gone.

    Is it a defense mechanism to say
    that we never should have been friends,
    me with my Cloisters and flannel pjs,
    you with your Grapevine and safety pin earring,
    as if friends are made by matching games?

    I cannot remember the point you made
    that Sunday morning, except we laughed
    for a long time at knowing two most obscure
    answers to the crossword and not the rest,
    and named my cat right then.

    That is it —
    that I cannot remember the point, what you meant.

    ii

    Our hearts, obsessed with survival, capable
    of so little then, shoved memories under
    sofa cushions, avoided every burden.
    Oh — but that is not the way it works —

    iii

    I fret over your death, that you were alone,
    never having anyone or anything that was yours,
    not even a place to crash after a wild night
    except my couch, which disappeared when I moved
    away. Who held your hand?

    Yes, I fret, on my couch in my living room,
    surrounded by people we fill up Christmas
    cards with, things we chatter about, things
    we cannot predict as well as we might expect,
    but that perhaps we should have.

    That I wish I had loved you with this heart instead,
    grown taller now, fiercer, more pliable, openly
    imperfect. That you would not have been alone.

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  • December 27, 2014

    My window at night, more

    Slow moving, a partial dream
    unwinding in its own way,
    we slow down, we slow it down,
    make sure we see —
    look, here, now, it passes —
    open it, to understand,
    to isolate the exact point, and how,
    the smooth releasing
    shifts into jarred, frayed, jagged.
    We go in there,
    at that point, slow it down,
    make it still, wrestle the shadow,
    listen there.

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