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Poems from in between

Poems from in between

by Jenifer Cartland


  • March 27, 2015

    Childcraft, 1964 ed.

    loud,
    no books
    but encyclopedia,
    hiding behind
    end-table,
    drapes fidgeting,
    national geographics
    layered open

    alien
    religions,
    bangles elongating
    necks, circular
    cornfield in desert,
    white-clothed
    bedouin, tattered scrolls,
    peking man

    poems
    spread on top,
    stutters untwisting,
    hours unwrapping,
    “this is my rock
    and here I run
    to steal the secrets
    of the sun”

    ——————————————–
    A late as usual response to the dVerse conversation from last week about early memories of poetry. The comments surfaced a very specific memory that took a bit to unpackage.

    The last four lines are from a David McCord poem in the 1964 edition of World Book’s Childcraft (volume 1, Poems and Rhymes), a book that held much of my learning-to-read years. Here is the whole wonderful poem.

    This is My Rock

    This is my rock
    And here I run
    To steal the secret of the sun;

    This is my rock
    And here come I
    Before the night has swept the sky;

    This is my rock,
    This is the place
    I meet the evening face to face.

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  • March 21, 2015

    Jacksonville, Illinois

    i.

    Why do I think you are here
    with me still, taking note?
    I pull off the highway,

    end on a dirt road as usual.
    Strangers look long, out their way,
    as if destiny is known. I wish

    you were gone, really, truly gone,
    that that would sink deep in,
    become an organizing piece of truth,

    allow everything here to be born anew,
    begin afresh, no shadows hovering,
    twisting forms out of shape, to and fro.

    But it remains just a hypothesis.
    I am on the road to you, right now,
    as I always am, whether you are here
    or not, whether you are true or not.

    ii.

    When I look out toward the horizon,
    consider the outlines of trees

    blackened by the distant mist,
    oddly shaped, glorious against

    the bright fog I cannot see past,
    arrives the simple conviction

    that here is my compass, radiating
    all I can see, all I will never see.

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  • March 10, 2015

    Twin waters

    Water runs in streams
    through sandy swales,
    clear and cold and quick,
    carves underedges
    along tiny banks,
    trails pebbles too large
    to carry forward,
    and returns again
    in its own path to
    the great, wild churning.

    ..

    Water glides over
    broken asphalt, shifts
    its course over sharp,
    jagged cracks,
    deposits mud, clay
    from baseball diamond
    into crevices,
    along its edges,
    drips down to the dark
    hollow underneath.

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  • March 5, 2015

    It is what comes after

    Though in a world of doubt surrounded,
    our river plies, churns, hides its own
    error, misgiving, re-creation, courage
    of moment, witness borne, lost. Our hero
    beeches suffer demotion to floats, serve
    as fisheries, bubble up ripples, but if
    confrontation cannot be avoided, indeed,
    remains steadfast, they rise to bows,
    turns, diversions, reshaping even water,
    laying bare terrain perhaps unseen,
    eternal in effect, sweeping in breadth.

    ———————–

    In response to the Ahbra’s dVerse prompt. The first line is from a Robert Frost poem that I go back to over and over, Beech.

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  • February 24, 2015

    Quiet hour

    Whisper with me, deflate joy, let its steam exhale.
    Take cover with me from babbling, tumbling
    squall. Escape now with me to a solitary

    inch of grassy earth. Lay here with me,
    our breath smooth, civil, disobedient.
    Ponder with me leaf shadow

    pressing on black wall, swaying
    in street light, silence
    holding. Tame with me

    whirlwind; slow it down
    to a plod; shun, savor
    in our time, if ever.

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  • February 16, 2015

    After a day of too many and the wrong words

    Time was when I could shake and tap
    the side of my head to relieve the gurgle
    of what should not have fallen in. But
    I hold no defense against your words, nor

    ways to excise them: sometimes sharp, stabbing,
    sometimes dull, aching; sometimes contagious,
    gathering up many benign, many wrenching
    images, turning them slick, flat, unusable;

    sometimes overstuffing the tiny crevice
    where sense forms, immobilizing it, clogging
    it up, whole paragraphs piling on my
    shoulders, awaiting their turn to invade.

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